Ralph Vaughan Williams:
Composer, conductor, organist, music editor and collector of folk music

Ralph Vaughn Williams Ralph (pronounced "Rafe") Vaughan Williams was born in Gloucestershire in 1872, and was arguably the greatest British composer of the 20th century.

A champion of British cultural heritage in his own way, he died at the age of 85 in 1958, and his ashes are fittingly interred in Westminster Abbey.

Vaughan Williams received his training from Hubert Parry and Charles Villiers Stanford, both composers influenced by Brahms. Early Vaughan Williams works have their moments of Brahms and sometimes Wagner, but it is also very original, due to Vaughan Williams' interest in English folksong (he was a major collector). His original pieces and arrangements of British folksongs and hymn tunes are some of the most songful and durable in the English language.

Vaughan Williams influences are diverse. Stravinsky, Brahms, Parry, Debussy, Ravel, Bach, Byrd, and Hindemith -- and yet his style remained unique. He absorbed French impressionism ("In the Fen Country," String Quartet No. 1) and studied for a short time with Ravel (who called him "the only pupil who does not write my music"). But then he came into his own with the incidental music to a production of Aristophanes' "The Wasps," the song cycle "On Wenlock Edge," and the classic "Fantasia on a Theme by Thomas Tallis." These works show a Vaughan Williams where his voice is unmistakably his own.

Vaughan Williams composed in almost every genre. He is one of the great setters of English poetry, and vocal music comprises a large part of his output. Major works include "Five Mystical Songs," "Merciless Beauty," "Sancta Civitas," "Serenade to Music," "Hodie," "10 Blake Songs," and "Dona nobis pacem." His several operas have not become stage staples: "Hugh the Drover," "The Poisoned Kiss," "Riders to the Sea," "Sir John in Love," and "Pilgrim's Progress." He is one of the greatest contributors to church music in the 20th century.

The symphonies, in particular, contain much variety and range, with each representing a unique approach to the symphonic form. All have great emotional as well as spiritual power.


Timeline

For more information visit the one of the Vaughan Williams web sites: http://www.cs.qub.ac.uk/~J.Collis/RVW.html.

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