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| PERSPECTIVE |
David
Landis-Theatre Artist
Landis as Norris
Produced by Camille Steed

[David Landis] For me when I'm putting
on the makeup and getting into this white-haired character is the need to
do two things. First to slow down. He's an elderly man I represent and when
I normally do him as a live presentation, I slow his rhythm down. I let him
pause.
[Landis as Norris] I would rather go down
to my political grave with a clear conscience than ride in the chariot of
victory as a congressional stool pigeon.
[Landis] I try to deepen him. I try to
think of him as a man who has little time left and therefore, doesn't have
time to waste.
[Landis as Norris] There is in reality
no difference between a Republican political machine and a Democratic political
machine. Gradually it became clear to me that the evil in American life, the
corruption that takes its toll on the American people uses political parties
for its convenience.
[Landis] So he has to get right to what
he means and to say it for all it's worth because he's not going to get a
second chance to say it.
[Camille Steed] In re-creating this role
for the documentary form, Landis found drama and historical fact a surprisingly
effective device for bringing to life a more personal side of George Norris.
[Landis] I was concerned when I first
read the script because you're moving between a historically active George
Norris portrayed in many photographs and then this dramatic George Norris,
a man of 47 playing a man of 75, let's say, and I thought you kind of get
lost between those two but when I saw it I thought it worked very well to
move through this dramatic recreation to give some fire to the words and thoughts
of the person to even a sort of human dimension.
[Landis as Norris] My mother would turn
in her grave if she thought I ever failed to do my duty by my flag.